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Image from “The Park” (1971), Kohei Yoshiyuki’s photographs of voyeurs watching people having sex at night in Tokyo parks. The series was last exhibited in 1979.
* During the 1970s Kohei Yoshiyuki was a young commercial photographer in Tokyo. One night when he walked through Chuo Park in Shinjuku he noticed a couple on the ground, and then spectators lurking in the bushes who watched the scene. “I had my camera, but it was dark,” he told Nobuyoshi Araki in a 1979 interview. Researching the technology in the era before infrared flash units, he found that Kodak made infrared flashbulbs.“Before taking those pictures, I visited the parks for about six months without shooting them, I just went there to become a friend of the voyeurs. To photograph the voyeurs, I needed to be considered one of them. I behaved like I had the same interest as the voyeurs, but I was equipped with a small camera. My intention was to capture what happened in the parks, so I was not a real ‘voyeur’ like them. But I think, in a way, the act of taking photographs itself is voyeuristic somehow. So I may be a voyeur, because I am a photographer.” he wrote.
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holdentumblr:

Image from “The Park” (1971), Kohei Yoshiyuki’s photographs of voyeurs watching people having sex at night in Tokyo parks. The series was last exhibited in 1979.

During the 1970s Kohei Yoshiyuki was a young commercial photographer in Tokyo. One night when he walked through Chuo Park in Shinjuku he noticed a couple on the ground, and then spectators lurking in the bushes who watched the scene. “I had my camera, but it was dark,” he told Nobuyoshi Araki in a 1979 interview. Researching the technology in the era before infrared flash units, he found that Kodak made infrared flashbulbs.
“Before taking those pictures, I visited the parks for about six months without shooting them, I just went there to become a friend of the voyeurs. To photograph the voyeurs, I needed to be considered one of them. I behaved like I had the same interest as the voyeurs, but I was equipped with a small camera. My intention was to capture what happened in the parks, so I was not a real ‘voyeur’ like them. But I think, in a way, the act of taking photographs itself is voyeuristic somehow. So I may be a voyeur, because I am a photographer.” he wrote.